I started playing Irish music more or less 10 years ago. I am Italian. After a brief experience with classical music as a child, I played the guitar for years, mainly rock and acoustic blues. I went to Dublin after finishing the University, and I literally fell in love with the music: I loved the melodies, the rhythm, the instruments and the technical skills of the players. It was, in a way, the music I had always been looking for, without knowing that it was there.  

I was admired (and I still am) at the fact that the Irish are so keen to preserve the tradition and bring this treasure of tunes and musical skills to the new generations, so that we can enjoy it today.

Now, after a few years spent living in Ireland, developing my playing, meeting other musicians at sessions, and reading about Irish music, I am enjoying it more than ever, but at the same time I am starting to get more and more puzzled by one recurring question: "How comes that an Italian plays Irish music?", often followed by the question: "Do you play Italian music?"

As legitimate as these questions are, I wonder how comes that I played for years the music of another race coming from another continent - Africa, emigrated in yet another continent - America - without ever being asked by anyone: "How comes that an Italian plays blues?" and without anyone even thinking of saying that I should play "Italian music". Curiously enough, now that I play a kind of music that is, in fact, much closer to my cultural background than blues (Irish Slides, for example, sound amazingly similar to Northern Italian traditional music) it is perceived as doing something peculiar, exotic and strange.

Now, the reasons for that are actually well exposed. The first reason is commercial: blues and jazz have enjoyed a commercial success that has "internationalized" the music itself, so that now it's perfectly normal for everyone, of any race and continent, to play it. This is unknown to Irish music, which is still a "niche" thing (and I don't necessarily mean this in a negative way, as in many ways it is a positive thing).

The second reason is that it is not only music to the eyes of the Irish: it is a fundamental part (if not THE fundamental part) of their cultural and national identity. This is mainly due to the persecution of Irish musicians during the worst centuries of the English colonization, where it was seen as an obstacle to the project of “anglicising” Ireland, project which only had the result of strengthening it as a mark of cultural identity, and giving it that “Celtic” aura – historically unmotivated - destined to become the contemporary and successful commercial label that we all know.

But being part of the national identity has, unfortunately, many downsides, first of all the trivial representation of it that Ireland gives to tourists.  I am thinking, for example, of the background music in souvenirs shops, like "Celtic Melodies" or "The Best Irish Pub Songs", where tracks of more than arguable quality are packed with covers showing a pint of Guinness and a shamrock (the other icons of "Ireland for tourists"), and so on. But I'm also thinking of noisy and alcohol-intoxicated audiences which populate the most touristy pubs, and that inevitably get to see Irish music as something loud and messy, best enjoyed with shouts, claps, and lots of drinking - which is actually, in my own view, the worst way to appreciate it, unless, of course, we are talking about the above mentioned "pub songs" - or "drinking songs", to which inevitably Irish music is sadly reduced in the eyes of so many, Irish included.

In other words, the music is seen as an image of Ireland for the consumption of both Irish and foreigners: you can take a picture in Temple Bar putting your face behind the figure of a Leprechaun with a bodhran, or you can dress yourself in green and hang a shamrock on the scroll of your Irish flag-painted fiddle at St Patrick.

On a more "high" and "acculturate" level, you can see documentaries about Irish music and musicians on TG4 - the TV channel in Irish, of which the two main subjects of interest, apart for Irish music, are Irish language and Irish history. 

As an Italian, I inevitably get to feel, in a way, as an outsider doing something strange. Why should an Italian want to get into something “so much Irish”?

The answer is that, for me, it's not about the "Irishness", it’s about the music. And it’s the music that I happen to like playing. It’s notes, it’s vibrations of the air that reach the ear, as much as classical music, blues, jazz, rock or any other kind of music which is not as much identified with any particular nation. Music doesn’t have a nationality for me. Not Irish, not Italian, not African-American. Of course, every kind of music originates from a particular place and culture, but music itself, for its very nature, belongs everywhere. It’s the most universal language that mankind has, which goes beyond national borders and travels the lengths of history and space and talks to everyone.

It is accepted by most historians of music that jigs originate from Italy, hornpipes from England, and reels from Scotland. Concertinas came to Ireland from England, the violin was created in Italy and came to Ireland through Scotland. Polkas and Mazurkas are of Eastern-European origin. Carolan was highly influenced by the continental baroque composers of the time. And so on. In other words, if you look at historical facts, Irish music is actually less peculiar to the Irish than blues or jazz were to the Afro-American.

But this would be a matter for historical research, which actually has little to do with the music itself. Music itself doesn’t have borders, and doesn’t have a nationality. Neglecting this would mean neglecting music as a form of art.

I remember the words of the fiddle player Martin Hayes in a TV interview: “This music is, at this stage, so much wrapped of Irish identity, that we might need to undo that process, if we want to rediscover it fully”. And, as an “outsider”, I completely agree with him, as much as I enjoy playing and listening to the music.


What are your thoughts about this? Feel free to share your views (that’s the purpose of my article), and thanks for reading...!


Alessandro Giusti

Views: 438

Add a Comment

You need to be a member of TradConnect to add comments!

Join TradConnect

Comment by Kees Knegt on June 25, 2013 at 18:37

Buona Sera Alessandro :-)

As you may have noticed, I'm no italian, nor Irish, but from the Netherlands.  And just like you, I've had a very long love-affair with trad music. I think the first record I ever had, an aunt of me gave it to me for my birthday, was "Scots Royal - the Pipes and drums of the 1st regiment, the Royald Scots"....I was 10 or so :-) In my life I've had a love for many kinds of music, from rock'n roll to the blues, and from Italian to Irish...Now, at the age of 47 I think I'm still in love with Laura Pausini :-) But not only her, but Claudio Baglioni, Renato Zero, Claudio Villa....They say "Home's where you hang your hat" and whenever I come to Italia per le vacanze, mi sento a casa. It's like homecoming...And for years I've been a complete Italia junky, I learned the language, always went there for my hollidays, and it's a love that endures. But the funny thing is, I may have had long periods of other musical taste, like the blues, or italian, or whatever it was, but in the end it was always to the Irish Tradition that I returned. I always say I'm not Irish, but Iwish....and I think there's truth in that. Irish trad is so much part of my life, I'd love to live in Ireland, just for the music....But since life is not ONLY about music, I think I'd better stay where I am, where I have a good job, a good life...come si dice ""L'erba dei vicini sembra sempre piu verde..."the neighbours grass always seems greener. Luckily enough, some weeks ago I have found some folk near to where I live who also play trad, and organise a session every now and then, so at this moment I'm quite happy with that. I mean, there's not a lot of trad lovers around here in the Netherlands, and as you mentioned, I too have discovered TG4, where I watch those great music shows online, like Geantrai. 

But when you would ask me "Why do you love Trad so much"...Ha, I don't know...I think I'm a rather traditional guy I suppose....And to be honest, life here in the Netherlands goes so fast, that I think I envy the Italians and the Irish, for their, in my opinion, healthier approach of life, there where folk still take the time to enjoy the good things of life,  where we in the Netherlands have thrown all tradition overboard, and the real God is Money, and 24 hour economy....

Allora, basta per oggi....Se mi vedi, clicca mi, parliamo un po :-)

cheers, Kees


© 2022   Created by Tradconnect Reviews.   Powered by

Badges  |  Report an Issue  |  Terms of Service

The title of your home page You could put your verification ID in a comment Or, in its own meta tag Or, as one of your keywords Your content is here. The verification ID will NOT be detected if you put it here. .slick-track { display: flex!important; justify-content: center; align-items: center;/* Safari */ display: -webkit-flex!important; -webkit-justify-content:center; -webkit-align-items: center; }